Wednesday, May 31, 2006

Knopfler and Harris in Oslo


Emmylou Harris & Mark Knopfler in Oslo Spektrum, Norway (Photo: Norwegianblogger May 31, 2006)


Today was the last day for my boss at work. When his neighbor had to cancel, he invited me to join him for a concert in Oslo’s biggest concert hall, Oslo Spektrum. Emmylou Harris and Mark Knopfler tours Europe, and tonight was their night in Oslo. It’s a treat to be able to enjoy two of popular music’s biggest icons. The best moments were when they both joined in, singing ballads.

I'm still amazed by the fact that each person playing a guitar has his or her own "voice" in the playing. Hearing Knopfler play is like listening to a singing guitar. It's heavenly!

“Why worry” with only the two of them, with a keyboardist, on stage was memorable. Mark Knopfler singing "Juliette" was of course fantastic and reminded me of younger days.

It was nice, it was pleasant, but the music didn’t really touch me deeply or move me in a profound way. That might have something to do with the setting. A concert hall with thousands and thousands of spectators isn’t actually like a club or a more intimate setting, but I’m impressed by their professionalism. They both treat the audience like friends, and talk freely between the songs.

A nice evening in Oslo with a lot of gray hair in the audience :) - and I'm in the middle of a concert week of dimensions. Last Sunday Josh Ritter & Isobel Campbell in a club, tonight: Emmylou Harris & Mark Knopfler in a mega-hall and the coming Sunday: Michael Bublé in Oslo Concert Hall (the home-base of the Oslo Philharmonic). I love it!

Monday, May 29, 2006

Songs from the heartlands - Josh Ritter in Oslo


Have you ever heard the voice of America? Yesterday I heard a voice that was able to convey the soul of a country; the joys of the water-towers, the cries of the lonely roads and the desperation of forgotten cities - I heard the voice of the heartlands, the warm embrace of Idaho. Josh Ritter brought America to a little club in Oslo and we were captured by this smiling, friendly guy who was able to transform a group of Norwegians into a smiling, singing bunch of cowboys riding into the sunset. How? - you might ask? Like Bob Dylan, Emmylou Harris, Johnny Cash and Bruce Springsteen, Josh Ritter is able to represent the voices of the silent masses, the pain, joy and desperation of thousands who doesn't have a voice of their own. But it's more than that: This is a man who loves what he does. Give that man a guitar and an audience, and he's in heaven. When he entered the stage to do his last song, he broke it all down - no band, no microphone: only a man and his guitar, his voice and an audience in his hands. It's one of those moments who deserve to be called magical.

Sunday, May 28, 2006

Finding my virtual self

Back in the eighties Madonna sang “Living in a material world” – now I guess the chorus could have been “Living in a virtual world – and I am a virtual man.” I’ve been active in cyberspace for awhile, but in some ways my interaction has increased. Much more than before, when the web was more or less a practical tool for finding information or reading news I experience the web to be transforming into a community – a virtual world with rules for communication, acceptable or unacceptable behavior, with bystanders and actors, with environments and places to explore. Most of all I experience the web to be a virtual world where we project an image of who we are OR who we want to be. For me it started with a homepage which was one-sided communication, then I became a blogger and took part in different communities on the web. What started as a presentation of my social anthropological work and a presentation of photos has more and more evolved into the presentation of a virtual self – a person I don’t always understand, but who evolves through interaction at the web. Suddenly I’m communicating with other “projections” from different parts of the world, and I start to wonder: Who are these people? I interact with them, I share thoughts with them and I have fun with them – but it’s all without direct communication with a person of flesh and blood – we’re actually communicating through machines, we’re communicating as projections of who we are or who we want to be. Perhaps it’s the same with a telephone you might say, but this feels really different. As an anthropological explorer I feel like I’m entering the territory of an unknown tribe; A people with a language, with lots of codes, symbols and hidden knowledge, and I’m like a novice trying to find my way, trying to communicate, to seek friendship and relations, to reject when it’s necessary and to open up when the time is right. I’ve done a lot of mistakes, and I’ve been virtually rejected. That’s been a strange experience. Sometimes I’ve “met” virtual people, that has started to enter the category of “virtual friend”, suddenly there is a “virtual code” I’ve broken (probably) and I never hear from them again. They are gone from my virtual world, and I’m left with some questions and the feeling of being rejected without knowing why. I hope to be able to be a better “virtual rejecter” than the method of “virtual disappearance” – this code of behavior seems to be widespread in the virtual world :) . I do think it’s necessary to reject at times though. Sometimes we can’t really meet the expectations that our virtual projections have made in others. Then it’s better to put up “virtual borders” and recommend other communities or “projections”.

I feel like a little baby in this virtual world, and I need to learn the language, I have to listen for advice from “the elders” – I have to find my way, find friends, find communities, find a way to be true to myself in the projection I choose to share in the virtual world. I’ve already found some “elders” here and there who is willing to be mentors in this virtual tribe that I’ve recently entered. I’m still a toddler, but I guess I’ve got some potential to grow up and become a man and maybe one day an elder in this wonderful, scary, interesting VIRTUAL WORLD.

Saturday, May 27, 2006

Ryanair confirmation number


Oh what a nightmare. I'm going to London this summer and I bought a ticket through Ryanair. I've done it several times and I've only positive things to say about Ryanair; Efficient, easy and convenient. But there's one thing that has made it difficult lately, namely the need for a confirmation number. I had no problems buying the ticket and everything was OK. Since I ordered the ticket at a place without a printer I thought that this wouldn't be a problem because I will get a confirmation E-mail later on. What happened - I didn't get the confirmation e-mail. I check out their web-page and find a way to change / look at my ticket, but I need the confirmation number to open the page. I search the web and I find I'm not the only one with the same problem. There are lots of hits on the web and some advice as well. I don't succeed in any of them, but then I realize that there might be something in my bank about the confirmation number - and there it is - as the last five numbers in the VISA confirmation number. Oh relief - right away I used it to print my ticket and everything is fine. Of all the answers I found on the web I didn't find this one - so if you're in the same situation: There is hope: Check your bank receipts!

Wednesday, May 24, 2006

Personality test

I found these personality tests on the web, and I actually found it interesting to try it out. This test was a combination of Emneagram and Jung, and I guess I feel comfortable about the results (maybe it's the image I want to present of myself) - I wonder if these tests are real or if we try to see ourselves in the best light. Perhaps I'll challenge some of my friends to take the test on my behalf - and then compare it to my own results. I suspect those results will be more accurate. So friends out there - if you'd like to - you're welcome to analyze me in this test and send me the results :) That could be fun (or maybe scary?)..... Here are my results; you'll be able to access the test by clicking the link.




Enneagram Test Results
Type 1 Perfectionism |||||||||||||||| 70%
Type 2 Helpfulness |||||||||||||| 60%
Type 3 Image Awareness |||||||||| 36%
Type 4 Sensitivity |||||| 26%
Type 5 Detachment |||||||||||||| 53%
Type 6 Anxiety |||| 13%
Type 7 Adventurousness |||||||||| 40%
Type 8 Aggressiveness |||||||||||| 43%
Type 9 Calmness |||||||||||||||||||| 90%
Your main type is 9
Your variant is social
Take Free Enneagram Personality Test
personality tests by similarminds.com

Sunday, May 21, 2006

Mordor Song Contest

Yesterday Europe was united in front of the TV-screens for the yearly Eurovision Song Contest. In Norway we have a saying that this is the competition everybody loves to hate. I haven't been a big fan of this competition for the last years, but Saturday I was one of the millions in front of a TV - and surprise, surprise: It was fun! Some of the songs were even good! During the show it felt like the Lord of the Rings was on display. Norway's entry was with an angelic girl with three co-musicians, all female singing an elf-song - it was right out of Rivendell. Then Finland entered the stage with the orcs from Mordor singing Hard Rock Hallelujah. Here the comparison with the Lord of the Rings ends: In this competition the orcs won, and millions of Europeans voted for Lordi from Finland which became the winner of it all.

I was back in the town I grew up this weekend, and my mother was really upset about Europeans voting for this band. She wasn't proud of being a European yesterday! The Eurovision certainly has its way to upset and challenge, even in 2006.

I was positively surprised of some songs that I actually liked. Rumania, Russia and Bosnia Herzegovina were among my favorites. Sweden had a great artist in Carola, but I didn't like the song, France had a great song, but the performance didn't rise to the challenge. In Eurovision you could hear everything this year from British Hip-Hop, to German Country-and-Western, Latvian a capella (great!) and a Lithuanian football song (terrible!). A crazy mix of everything and above them all, as the winner of the Eurovision Song Contest: The Orcs from Mordor: Lordi.

Next year in Helsinki!

Tuesday, May 16, 2006

Celebrating Norway

Impression from the celebration in Asker last year. I'm celebrating in Asker this year as well. (Photo: Norwegianblogger 17th of May 2005)

17th of May is the National Day of Norway, or rather Constitution Day. In 1814 Norway got its own constitution inspired by the ideals of the French and American Revolutions. Tomorrow we will celebrate once more with children's parades, flags and festivities in different parts of the country.

Is there any reason to celebrate nations these days? Isn't that nationalistic and isolationistic? There are a lot of things that could be better in Norway, but we have freedom; freedom to speak our minds, freedom of religion, freedom to go where we want. That's well worth celebrating I think. Tomorrow I will dress up and celebrate living in a democracy where there should be room for every person of any race, ethnicity or background. Let's celebrate, and to you reading this in other parts of the world: If you meet a Norwegian today: You can impress them by congratulating him/her and say: Hipp hurra for 17. Mai!

It's strange to be a blogger :)

I've been a blogger for almost 1 1/2 years now and I am amazed about how it affects me. It's kind of addictive. What is it about blogging that attracts me? Well, it's a way to communicate. Even though I have family and friends there are times that I spend alone. To be able to share thoughts and experiences is nice, and through the blog I've been able to share things with friends and strangers from different parts of the globe. By looking up their blogs I've been inspired, updated on friends and even annoyed by certain postings. I hope my blog could have that effect on others as well. What's strange about being a blogger then? Well - at times you share a lot about who you are and you never know who's going to read it. It's strange, but it's exciting and fun as well. To all my blogger friends out there: WHY DO YOU BLOG? I'd love to hear your answers!

Friday, May 12, 2006

Tropisms and Sarraute

En Bagatell av Nathalie Sarraute, Torshovteatret, Oslo. Photo: Marius E. Hauge, The National Theater, Oslo

It’s been a week filled with great theatre experiences. In 1 ½ week I’ve experienced three plays. All of them were great! Yesterday I went to Torshovteatret to see “En bagatell” ( “A small detail”) by Nathalie Sarraute. Sarraute indicated that the words are the verbal translation of a non-verbal communication. With "tropisms" she referred to inner movements of the mind, which are involuntary and which guide our behaviour. These “tropisms” was the central theme of the play. Jon Øigarden and Mads Ousdal portray to friends trying to come to terms with their relationship. Through the little things, what’s conveyed in intonation or small movements we communicate more than what’s obvious. I laughed out load several times, but then the laughter abruptly stopped. It’s challenging to watch and remember how I myself often interpret these tropisms in the behaviour of people around me. I’m often searching for the hidden meaning behind a smile or the way things are said. Not always of course, but often enough to feel it’s uncomfortable when it’s revealed through a play like this.

The setting for the play is perfect. Torshovteatret is small and intimate and as a spectator you’re in the middle of all the action. Congrats to Torshovteatret for a great choice. I’m hoping for more of Sarraute at the theatre!

Wednesday, May 10, 2006

Blood Wedding

Yesterday I went to the National Theater to see Federico Garcia Lorces´ fantastic play "Blodbryllup" ("Blood wedding"). This play gave me faith in the power of the theater and in the written word. The stage was totally stripped except for the actors and one chair for each actor. The only effect was the lightning and occasionally a few words on the back wall. There were a lot of pauses and silence in between the dialogue. The storyline is really sad and violent, but the actors played it with dignity and beauty. The mother in the play (Frøydis Armand) impressed me - she didn't only say the words right, but I could sense her pain, sadness and helplessness in small movements and manifested in her body. Nicolai Cleve Broch was the forsaken groom and captured the spirit of the play. If you're here in Oslo in the next days you should definitely run to the National Theatre to get a ticket!

Photo: Erik Berg The National Theater, Oslo

Tuesday, May 02, 2006

MI III premiere

Thanks to a friend (Per Arne - who won two tickets) I was today able to attend the premiere of Mission Impossible III with Tom Cruise and Philip Seymour Hoffman in the enormous Colosseum Theater here in Oslo. Some local celebrities, a lot of photographers and even some stuntmen (or members from a local bike-club :)) was present, and it was great fun. The real fun started with the movie. Wow, what a ride. It was action, action, action and more action. Within this genre I think the MI movies are among the best. The third movie was no exception. In addition to all the action it was wonderful PR for two cities: Rome and Shanghai - I wouldn't mind going to Shanghai - it's portrayed as a great city in this movie. And Rome - the eternal city - was wonderful in between all the action. Did I like the movie? Yes, it's entertaining and exciting - and that's what an action movie is all about, isn't it? Will I remember it in a couple of years or does the movie convey a message of any sort? Probably not, it's pure entertainment. No more, no less!



Action before the premiere of Mission Impossible III in Colosseum Theater in Oslo (Photo: Norwegianblogger May 2006)